Open Call Metode Vol. 3 'Currents'
Open Call for experimental essays for Metode Volume 3: Currents - Regenerating pasts for the not yet
Open Call for experimental essays for Metode Volume 3: Currents - Regenerating pasts for the not yet
By Anna Ulrikke Andersen
By Lutz Koepnick
By Emma Nilsson
By Pauline Shongov
By David Turner
By Jakub Węgrzynowicz
By Júlia Ayerbe
By Jeremy Sharma
Being, Bathing and Beyond
By Ingrid Halland
By Tim Ingold
By Sybille Krämer
By Nick Walkley
By Jakob Oredsson
By Beatrice Zaidenberg and Adam Hudec
By Marius Moldvær
By Julie Barfod. English translation by Julia Morrissey and Julie Barfod
By Loukia Tsafoulia and Severino Alfonso
By Gustav Jørgen Pedersen
By Benjamin Blackwell
By Jenny Perlin
During autumn 2022, thirteen Norwegian and international scholars, curators, artists, and architects have gathered at ROM for kunst og arkitektur, at the Oslo School of Architecture and Design, and online to explore the status of the surface in our contemporary times as part of Metode’s first volume Deep Surface.
By Andreas Ervik
By Neda Genova
Metode’s research project #1: “Deep Surface: Rethinking Surfaces with Art and Architecture”
Editorial statement by Metode
Metode is an experimental gathering place and publishing platform for in-depth research and generative discursive practice run by ROM for Kunst og arkitektur
– So, what do think of the solution?
– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is an english translation of Marte Danielsen Jølbo’s Norwegian essay “Teaterets spor” about Jakob Oredsson’s work Symbiotic Surfaces (Black Box teater Beings) at Black Box teater’s facade in Oslo, 2022.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info