ATTENTION: Currents

In Metode volume 3 ‘Currents,’ writers and artists explore how signals can be transmitted from a far through space and through time, in a manner which can offer new ideas for alternative futures. The volume is introduced by three essays written by Alison Burstein (US), You Nakai (Japan), and Sigbjørn Skåden (Sápmi and Norway), and an introduction by Ingrid Halland (editor-in-chief of Metode)

Metode + LIAF 2024

ROM for kunst og arkitektur and Lofoten International Art Festival (LIAF) proudly presents the contributors to Metode vol. 3 “Currents”! The essays will be published at 13 February 2025 at 17:00 CET

Deep Surface workshops fall 2022

During autumn 2022, thirteen Norwegian and international scholars, curators, artists, and architects have gathered at ROM for kunst og arkitektur, at the Oslo School of Architecture and Design, and online to explore the status of the surface in our contemporary times as part of Metode’s first volume Deep Surface.

Fra tegl til tre

Hva syns du om løsningen da?

Jeg vet ikke om jeg liker tilbygget, det er som om arkitekturen fastlåser forståelsen av museet som noe forhistorisk.

From Brick to Wood

– So, what do think of the solution?

– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.

Fra de andre nordmennene

I et fagfelt som planlegger og bygger for alle, er det helt naturlig å stille spørsmål rundt hvem som sitter med definisjonsmakt og hvilke stemmer som blir inkludert og utelatt, og i det hele tatt hvordan inkludering og mangfold spiller inn.

From the Other Norwegians

In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.