Concurrencies: Mutating Methods and Latent Leverage
Introduction for Metode Vol. 3, “Currents”, in collaboration with LIAF by Kjersti Solbakken and Ingrid Halland
Utopian Signals: Accidental Archivism of the Nyksund Ecotopia
By NODES Collective: Elisabeth Brun, Gusztáv Hámos and Katja Pratschke.
Collages by Iryna Kliui and Katja Pratschke
A Whale’s Hipbone: The Interrelationship Between Namibia and Norway
By Martin White
Aether to Wires to Rust, and Back Again
By Ian Callender, Yueyang Luo and Ann Wang
Weaving knowledge: writing letters with wool
By Åsne Kummeneje Mellem, Tarja Salmela and Gyrid Øyen
Extract, Accumulate, Expel (repeat)
by Alena Beth Rieger in conversation with Jumana Manna and Drew Snyder.
A Memory of Elephants
by Sol Archer
How to Act on Oil
by Miriam Sentler
Metode + LIAF 2024
ROM for kunst og arkitektur and Lofoten International Art Festival (LIAF) proudly presents the contributors to Metode vol. 3 “Currents”! The essays will be published at 13 February 2025 at 17:00 CET
ATTENTION: Currents
In Metode volume 3 ‘Currents,’ writers and artists explore how signals can be transmitted from a far through space and through time, in a manner which can offer new ideas for alternative futures. The volume is introduced by three essays written by Alison Burstein (US), You Nakai (Japan), and Sigbjørn Skåden (Sápmi and Norway), and an introduction by Ingrid Halland (editor-in-chief of Metode)
The Kitchen and its Double: Broadcasting Institutional Experimentation in "Two Moon July"
By Alison Burstein
menneskEvolusjon
Alde Sigbjørn Skåden, Kari Utsi jorgalan.
Human Evolution
By Sigbjørn Skåden, translated by Stig Oppedal
IEIE, Reflected, Reflected
By You Nakai
Open Call Metode Vol. 3 'Currents'
Open Call for experimental essays for Metode Volume 3: Currents - Regenerating pasts for the not yet
Using Someone Else’s Bathwater: A Practice of Coming After.
By Anna Ulrikke Andersen
On Water’s Edge
By Lutz Koepnick
Open Call #2
Being, Bathing and Beyond
Inclusive design. Discriminating architecture.
By Emma Nilsson
The Cultural Technique of Flattening
By Sybille Krämer
Post-comfort waterscapes. Navigating pleasure and discomfort.
By Jakub Węgrzynowicz
The room that I am, the room I give birth to
By Julie Barfod. English translation by Julia Morrissey and Julie Barfod
Displaying Deep Surfaces: Introducing a field and a method
By Ingrid Halland
Brick Dust Matter: Тhe Disappearing Archive and the Mobile Fragment
By Pauline Shongov
The bathroom may be a space for utopia
By Júlia Ayerbe
The Matter of Illusion: Seeing the Surface of Facsimiles
By Nick Walkley
Three Acts of Bathing—an-other reading
By Jeremy Sharma
Epidermitecture: Co-Existing on the Surface
By Beatrice Zaidenberg and Adam Hudec
Synesthesia: An Experiment on Enacted Surfaces
By Loukia Tsafoulia and Severino Alfonso
The Earth, the Sky and the Ground Between
By Tim Ingold
He Draws Himself a Bath
By David Turner
Surfaces Surfacing (Weaving Words)
By Jakob Oredsson
I Will Acknowledge the Shallowness of My Depth: An autoimmune, spontaneous prose essay
By Marius Moldvær
A Dialogue with Edvard Munch
By Gustav Jørgen Pedersen
Deep Layers of ‘Flatland’: Scaling Up Nanomaterials
By Benjamin Blackwell
Subterra Castle
By Jenny Perlin
Deep Surface workshops fall 2022
During autumn 2022, thirteen Norwegian and international scholars, curators, artists, and architects have gathered at ROM for kunst og arkitektur, at the Oslo School of Architecture and Design, and online to explore the status of the surface in our contemporary times as part of Metode’s first volume Deep Surface.
A Small Old Plot
By Andreas Ervik
Thinking with Labyrinths: A Fictional-Topological Exploration
By Neda Genova
Open Call #1
Metode’s research project #1: “Deep Surface: Rethinking Surfaces with Art and Architecture”
Risk, Orientation, Method
Editorial statement by Metode
New publishing platform by ROM
Metode is an experimental gathering place and publishing platform for in-depth research and generative discursive practice run by ROM for Kunst og arkitektur
From Brick to Wood
– So, what do think of the solution?
– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.
A House Made for Walking
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Traces of the Theatre
This essay is an english translation of Marte Danielsen Jølbo’s Norwegian essay “Teaterets spor” about Jakob Oredsson’s work Symbiotic Surfaces (Black Box teater Beings) at Black Box teater’s facade in Oslo, 2022.
Parlour
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
From the Other Norwegians
In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.
Stripped Down, Dressed Up
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
In the Fringes
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
A School to Grow Up In
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Cathedral for a New Era
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info