Concurrencies: Mutating Methods and Latent Leverage
Introduction for Metode Vol. 3, “Currents”, in collaboration with LIAF by Kjersti Solbakken and Ingrid Halland
Utopian Signals: Accidental Archivism of the Nyksund Ecotopia
By NODES Collective: Elisabeth Brun, Gusztáv Hámos and Katja Pratschke.
Collages by Iryna Kliui and Katja Pratschke
A Whale’s Hipbone: The Interrelationship Between Namibia and Norway
By Martin White
Aether to Wires to Rust, and Back Again
By Ian Callender, Yueyang Luo and Ann Wang
Weaving knowledge: writing letters with wool
By Åsne Kummeneje Mellem, Tarja Salmela and Gyrid Øyen
How to Act on Oil
by Miriam Sentler
Extract, Accumulate, Expel (repeat)
by Alena Beth Rieger in conversation with Jumana Manna and Drew Snyder.
A Memory of Elephants
by Sol Archer
ATTENTION: Currents
In Metode volume 3 ‘Currents,’ writers and artists explore how signals can be transmitted from a far through space and through time, in a manner which can offer new ideas for alternative futures. The volume is introduced by three essays written by Alison Burstein (US), You Nakai (Japan), and Sigbjørn Skåden (Sápmi and Norway), and an introduction by Ingrid Halland (editor-in-chief of Metode)
The Kitchen and its Double: Broadcasting Institutional Experimentation in "Two Moon July"
By Alison Burstein
menneskEvolusjon
Av Sigbjørn Skåden
menneskEvolusjon
Alde Sigbjørn Skåden, Kari Utsi jorgalan.
Human Evolution
By Sigbjørn Skåden, translated by Stig Oppedal
IEIE, Reflected, Reflected
By You Nakai
Using Someone Else’s Bathwater: A Practice of Coming After.
By Anna Ulrikke Andersen
On Water’s Edge
By Lutz Koepnick
Inclusive design. Discriminating architecture.
By Emma Nilsson
The bathroom may be a space for utopia
By Júlia Ayerbe
Three Acts of Bathing—an-other reading
By Jeremy Sharma
He Draws Himself a Bath
By David Turner
Post-comfort waterscapes. Navigating pleasure and discomfort.
By Jakub Węgrzynowicz
Displaying Deep Surfaces: Introducing a field and a method
By Ingrid Halland
The Earth, the Sky and the Ground Between
By Tim Ingold
The Cultural Technique of Flattening
By Sybille Krämer
A Dialogue with Edvard Munch
By Gustav Jørgen Pedersen
Brick Dust Matter: Тhe Disappearing Archive and the Mobile Fragment
By Pauline Shongov
The Matter of Illusion: Seeing the Surface of Facsimiles
By Nick Walkley
Deep Layers of ‘Flatland’: Scaling Up Nanomaterials
By Benjamin Blackwell
Surfaces Surfacing (Weaving Words)
By Jakob Oredsson
Epidermitecture: Co-Existing on the Surface
By Beatrice Zaidenberg and Adam Hudec
Subterra Castle
By Jenny Perlin
I Will Acknowledge the Shallowness of My Depth: An autoimmune, spontaneous prose essay
By Marius Moldvær
A Small Old Plot
By Andreas Ervik
Thinking with Labyrinths: A Fictional-Topological Exploration
By Neda Genova
Rommet jeg er, rommet jeg føder
Av Julie Barfod
The room that I am, the room I give birth to
By Julie Barfod. English translation by Julia Morrissey and Julie Barfod
Traces of the Theatre
This essay is an english translation of Marte Danielsen Jølbo’s Norwegian essay “Teaterets spor” about Jakob Oredsson’s work Symbiotic Surfaces (Black Box teater Beings) at Black Box teater’s facade in Oslo, 2022.
Risk, Orientation, Method
Editorial statement by Metode
Fra tegl til tre
Hva syns du om løsningen da?
Jeg vet ikke om jeg liker tilbygget, det er som om arkitekturen fastlåser forståelsen av museet som noe forhistorisk.
From Brick to Wood
– So, what do think of the solution?
– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.
Pasientens arkitekturhistorie - Ubehandlet
Hvordan kan den kronisk syke kroppen være et utgangspunkt for å forstå rom og arkitektur på en ny måte? Kan samtaler rundt arkitektur gjøre at vi forstår kroppen på en ny måte?
Et hus å vandre i
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
A House Made for Walking
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Parlour
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
Parlour
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Katedral för en ny tid
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
Cathedral for a New Era
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Strippet ned, kledd opp
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
Stripped Down, Dressed Up
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
En dag i det skæve
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
In the Fringes
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
En skola att bli stor i
Dette essayet er en del av utstillingen Jävla kritiker! ved ROM for kunst og arkitektur 27.08 - 27.09.2020 - se javlakritiker.com for mer info
A School to Grow Up In
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
Fra de andre nordmennene
I et fagfelt som planlegger og bygger for alle, er det helt naturlig å stille spørsmål rundt hvem som sitter med definisjonsmakt og hvilke stemmer som blir inkludert og utelatt, og i det hele tatt hvordan inkludering og mangfold spiller inn.
From the Other Norwegians
In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.