Artikler > Metode

Concurrencies: Mutating Methods and Latent Leverage

Introduction for Metode Vol. 3, “Currents”, in collaboration with LIAF by Kjersti Solbakken and Ingrid Halland

Utopian Signals: Accidental Archivism of the Nyksund Ecotopia

By NODES Collective: Elisabeth Brun, Gusztáv Hámos and Katja Pratschke.

Collages by Iryna Kliui and Katja Pratschke

A Whale’s Hipbone: The Interrelationship Between Namibia and Norway

By Martin White

Aether to Wires to Rust, and Back Again

By Ian Callender, Yueyang Luo and Ann Wang

Weaving knowledge: writing letters with wool

By Åsne Kummeneje Mellem, Tarja Salmela and Gyrid Øyen

Extract, Accumulate, Expel (repeat)

by Alena Beth Rieger in conversation with Jumana Manna and Drew Snyder.

A Memory of Elephants

by Sol Archer

How to Act on Oil

by Miriam Sentler

ATTENTION: Currents

In Metode volume 3 ‘Currents,’ writers and artists explore how signals can be transmitted from a far through space and through time, in a manner which can offer new ideas for alternative futures. The volume is introduced by three essays written by Alison Burstein (US), You Nakai (Japan), and Sigbjørn Skåden (Sápmi and Norway), and an introduction by Ingrid Halland (editor-in-chief of Metode)

The Kitchen and its Double: Broadcasting Institutional Experimentation in "Two Moon July"

By Alison Burstein

menneskEvolusjon

Alde Sigbjørn Skåden, Kari Utsi jorgalan.

Human Evolution

By Sigbjørn Skåden, translated by Stig Oppedal

IEIE, Reflected, Reflected

By You Nakai

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Using Someone Else’s Bathwater: A Practice of Coming After.

By Anna Ulrikke Andersen

On Water’s Edge

By Lutz Koepnick

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Inclusive design. Discriminating architecture.

By Emma Nilsson

The Cultural Technique of Flattening

By Sybille Krämer

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Post-comfort waterscapes. Navigating pleasure and discomfort.

By Jakub Węgrzynowicz

The room that I am, the room I give birth to

By Julie Barfod. English translation by Julia Morrissey and Julie Barfod

Displaying Deep Surfaces: Introducing a field and a method

By Ingrid Halland

Brick Dust Matter: Тhe Disappearing Archive and the Mobile Fragment

By Pauline Shongov

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

The bathroom may be a space for utopia

By Júlia Ayerbe

The Matter of Illusion: Seeing the Surface of Facsimiles

By Nick Walkley

A richly coloured painting of a woman in a bathtub.

Three Acts of Bathing—an-other reading

By Jeremy Sharma

Epidermitecture: Co-Existing on the Surface

By Beatrice Zaidenberg and Adam Hudec

The Earth, the Sky and the Ground Between

By Tim Ingold

Mixed-media collage. The corner of a large, windowless room. Blue watercolour paint seeps from the ceiling edges and trickles down the two walls. Black ink is spattered across one wall and the ceiling. The floor is made of squares cut from magazine images, of bricks, terraced houses, human faces, newsprint, water and abstract patterns in blue and purple.

He Draws Himself a Bath

By David Turner

Surfaces Surfacing (Weaving Words)

By Jakob Oredsson

I Will Acknowledge the Shallowness of My Depth: An autoimmune, spontaneous prose essay

By Marius Moldvær

Photo: Mekonnen Wolday / Munchs Hus

A Dialogue with Edvard Munch

By Gustav Jørgen Pedersen

Deep Layers of ‘Flatland’: Scaling Up Nanomaterials

By Benjamin Blackwell

Subterra Castle

By Jenny Perlin

A Small Old Plot

By Andreas Ervik

Thinking with Labyrinths: A Fictional-Topological Exploration

By Neda Genova

Risk, Orientation, Method

Editorial statement by Metode

From Brick to Wood

– So, what do think of the solution?

– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.

A House Made for Walking

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info

Traces of the Theatre

This essay is an english translation of Marte Danielsen Jølbo’s Norwegian essay “Teaterets spor” about Jakob Oredsson’s work Symbiotic Surfaces (Black Box teater Beings) at Black Box teater’s facade in Oslo, 2022.

Parlour

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info

From the Other Norwegians

In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.

Stripped Down, Dressed Up

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info

In the Fringes

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info

A School to Grow Up In

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info

Cathedral for a New Era

This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info