Using Someone Else’s Bathwater: A Practice of Coming After.
By Anna Ulrikke Andersen
By Anna Ulrikke Andersen
By Lutz Koepnick
By Emma Nilsson
By Pauline Shongov
By David Turner
By Jakub Węgrzynowicz
By Júlia Ayerbe
By Jeremy Sharma
By Ingrid Halland
By Tim Ingold
By Sybille Krämer
By Nick Walkley
By Jakob Oredsson
By Beatrice Zaidenberg and Adam Hudec
By Marius Moldvær
By Julie Barfod. English translation by Julia Morrissey and Julie Barfod
By Gustav Jørgen Pedersen
By Benjamin Blackwell
By Jenny Perlin
By Andreas Ervik
By Neda Genova
Editorial statement by Metode
– So, what do think of the solution?
– I’m not sure I like the annex – it’s like the architecture has permanently defined the museum as something prehistorical.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is an english translation of Marte Danielsen Jølbo’s Norwegian essay “Teaterets spor” about Jakob Oredsson’s work Symbiotic Surfaces (Black Box teater Beings) at Black Box teater’s facade in Oslo, 2022.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
In a field that plans and builds for everyone, it is natural to ask the question of who has the power of definition, which voices are included and excluded, and how inclusion and diversity in general fit in.
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info
This essay is part of the exhibition Jävla kritiker! at ROM for art and architecture 27.08 - 27.09.2020 - see javlakritiker.com for more info